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201 Global Ranking
Wins 57% of its Matchups
1476 Total UsersWho've Ranked It
29999 Total Times Ranked
6 Have It At #1
61 Have It In Their Top 20
Directed By Ernst Lubitsch Ernst Lubitsch Starring Margaret Sullavan Margaret Sullavan • James Stewart James Stewart • Frank Morgan Frank Morgan • Joseph Schildkraut Joseph Schildkraut • Sara Haden Sara Haden Genres Comedy • Drama • Romance • Romantic Comedy • Sophisticated Comedy • Workplace Comedy Studios &Franchises National Film Registry • AFI's 100 Years...100 Passions • They Shoot Pictures, Don't They? • Sight & Sound's Greatest Films of All Time Poll • Time Out: London's 100 Best Romantic Movies • BBC's 100 Greatest American Films Release Info 1940-01-12T00:00:00Z January 12, 1940 B&W • 99 minutes NR see more films from 1940 ► see more about this film on our blog ►
MOST RECENT MATCHUP DISCUSSION
Gone with the Wind vs. The Shop Around the Corner
Hope19 said on 8/21/2020
"Great cinema. Gone With The Wind is STILL one of the greatest films ever made no matter what any..." more ►
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MOST POPULAR MATCHUP DISCUSSION
Ninotchka vs. The Shop Around the Corner
nclysander said on 6/26/2016
"I'm beginning to become a big, big Lubitsch fan. Ninotchka doesn't have quite as much charm as..." more ►
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Caesar on 5/6/2013 Reply · Like · (1 like)
A very sweet movie, and actually pretty funny.
1 person liked this √
JC13 on 12/4/2015 Reply · Like · (1 like)
Jimmy Stewart is wonderful as always in this one.
lukiushaufoy on 3/12/2016 Reply · Like · (0 likes)
Jimmy looks like Ross from Friends in this poster.
0 people liked this √
Ufhamlet on 5/19/2019 Reply · Like · (0 likes)
I can’t stand films from the 40’s. The contrived, sped-up dialogue, the campy jokes, the plot tropes you can see from a mile away. They’ve never struck me as amusing or clever, and I’ve found myself “watching” the highly rated classics as background noise while doing something else that was more productive and enjoyable, mostly out of OCD-fueled duty. The Shop Around the Corner is such a delightful film. Some characters evolve with the ebb and flow of the story; others are constants who create the tent poles for it. The dialogue’s legitimately clever without being overblown like so many Bogart and Hayworth films. As the story unravels, you can see how You’ve Got Mail attempted to modernize the plot, but it’s less endearing, even with 50-something years of material to call upon. Looks like I’ll need to be a little less prejudiced about this era of film. And I may need to start a Lubitsch watchlist.
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