The Guilty Pleasures: “Batman Forever”

Michael Osciak

I go to the movies alone at least once a week and I am Zac Efron's biggest fan. Each day, I try to watch one movie that I have never seen before. I embarrass my wife with my love for movies but seeing how she has only seen like ten movies, which one of us should be embarrassed?

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12 Responses

  1. Travis McClain says:

    Oh, nonsense! I tire of seeing people retroactively behave as though “Batman Forever” was disliked or shunned. It went over like gangbusters in 1995 for most audiences and it wasn’t until “Batman & Robin” that fans retroactively claimed to hate Joel Schumacher’s Bat-work. I loved it in ’95 and just re-watched it on Blu-ray a few days ago and found I still enjoy it.

    It’s not without its flaws, of course, but I think a lot of fans need to get this straight: it’s not “Batman & Robin,” was never “Batman & Robin” and should not be dismissed like “Batman & Robin.” There’s no guilt to be had here.

  2. Tyler L. says:

    A little disappointed you failed to compare it to Batman (1990) A popular criticism of Jones performance is that he is basically riffing on Nicholson’s joker.

    I also have to say I disagree with you about Batman Returns. Yes it’s a little sloppy and didn’t know what to do with the Penguin character other than make him grotesque but the triangle involving Batman/Bruce Wayne, Catwoman/Selina Kyle & Max Schreck is very compelling and makes the final showdown between the three the deepest the Burton films have ever taken it’s characters. Also the last scene/shot is one of my favorites in any Batman film. It’s filled with so much hope after such a dark film and also provided hope for the films that could have followed were it not for the studios changing the tone.

  3. Jon Baitzel says:

    JOYGASM!

  4. Michael Osciak says:

    Well, I wanted to compare Batman Forever to all Batmans but I decided to keep it to these three.

    I just can’t get into Batman Returns. I remember HATING it when I was younger. I rewatched it not to long ago and I just can’t get into it. Maybe I’ll give it one more try.

  5. johnmason says:

    Screw it; I like Batman Forever. (In fact, I agree with Travis.) It’s one of my favorite theater memories; I was in high school, I went with a group of friends, we had fun. Always like Tommy Lee Jones, even when he’s hamming it up as Two-Face. (Incidentally, I disagree with you about Two-Face in TDK, Michael; I think Aaron Eckhart is just as fantastic in that movie as Heath Ledger.)

    Batman Forever certainly isn’t in my Top 100, but it comfortably belongs in the top third of my Flickchart.

    Interesting (and messed up) that the studio cast Burton aside for Schumacher. I didn’t know that. And I certainly didn’t know anything was screwed up until Batman & Robin…

    I haven’t seen Batman Returns in YEARS (which pisses me off), so I can’t really comment there…

    Nice post.

  6. Travis McClain says:

    Yeah, Warner became concerned with Burton after Batman Returns. It made money, yes, but there was a sense that the live action movies weren’t going anywhere. Burton was pushed aside, and it was clashes with Schumacher that led to Michael Keaton leaving. The movie made a ton of money, and all the merchandise licensees that had been reluctant to take on Batman Forever bombarded Warner for the next one. That’s why Batman & Robin was rushed into production, and the studio execs were so greedy they even had the toy designers sitting in on the development stages to make sure they had product on shelves by the time the movie opened. Few seemed concerned with there even being a story; Chris O’Donnell called the movie a “toy commercial.”

    It’s seriously worth buying the 2-disc DVD (or Blu-ray) just to hear everyone describe the making of that movie. Also, Joel Schumacher personally apologizes for it, stating that even though this merchandise-crazed chaos was forced on him, “I was an adult and I was there.”

    But none of that was true of Batman Forever. Aside from the fact that I always felt they squandered the character of Two-Face, failing to make him the sympathetic and tragic figure that he has traditionally been, the movie is pretty solid. It’s one thing that Batman Returns wasn’t: fun. Yet, amidst the bright colors and bad puns we see some of the most interesting character development in the series with Val Kilmer’s mature, nuanced Bruce Wayne. This is a Bruce Wayne trying to be a functioning adult outside of being Batman. I always felt Kilmer was wrongfully overlooked for what is actually a very strong performance.

    Also, I appreciate that Elliot Goldenthal didn’t ape Elfman’s themes and introduced his own musical aesthetic to accompany the production. His music isn’t iconic in the way Elfman’s has become, but it serves the movie well with a lot of strings and frenetic motifs. I prefer the Gotham of Burton’s films, but I have to admit that the production design n Batman Forever is recognizable to me as Gotham (be it of the Silver Age of comics).

    Again, though, I think fans are at best misinformed and at worst disingenuous to put down Batman Forever. It may be too flashy for some Bat-fans, and I know there were groans over the introduction of Robin, but the film was well-received at the time and holds up fairly well. To punish it for Batman & Robin is not just unfair; it’s wrong.

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  8. second hand car says:

    Yeah, Warner became concerned with Burton after Batman Returns.
    It made money, yes, but there was a sense that the live action movies
    weren’t going anywhere. Burton was pushed aside, and it was clashes
    with Schumacher that led to Michael Keaton leaving. The movie made a
    ton of money, and all the merchandise licensees that had been reluctant
    to take on Batman Forever bombarded Warner for the next one. That’s why Batman & Robin
    was rushed into production, and the studio execs were so greedy they
    even had the toy designers sitting in on the development stages to make
    sure they had product on shelves by the time the movie opened. Few
    seemed concerned with there even being a story; Chris O’Donnell called
    the movie a “toy commercial.second hand car

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