After passing on directing this summer’s Kick-Ass 2 and the forthcoming X-Men: Days of Future Past (though he is producing both films), Matthew Vaughn is settling on a different comic adaptation for his next directorial project: Mark Millar’s The Secret Service.
With the graphic novel due to be released in July, 20th Century Fox has just landed the rights to the story, about a veteran secret agent who brings his punk nephew into the business. It’s little surprise that Fox sought the rights for Millar’s story, as they’ve been using Millar as a consultant on their Marvel Comics-based projects. And, of course, Vaughn should be a good fit for the project, as Kick-Ass was also based on a graphic novel written by Millar.
The Secret Service will be Vaughn’s first film as a director since X-Men: First Class, which he also made for Fox. The studio will be looking to release The Secret Service next year, with plans to begin production this August.
via Deadline
Kick-Ass director Matthew Vaughn has signed on to produce a Fantastic Four reboot for Fox. The film is set to be helmed by Chronicle director Josh Trank, and has been slated for a March 6, 2015 release.
Fox’s first two Fantastic Four films, directed by Tim Story, starred Chris Evans, Ioan Gruffudd, Michael Chiklis and Jessica Alba as the superhero family, and grossed a combined total of more than $600 million, though they were panned by critics. Much like Columbia Pictures’ recent reboot of The Amazing Spider-Man, Fox needs to crank out a new FF movie so that the rights to the characters do not revert to Marvel Studios and Disney.
Vaughn has already developed a working relationship with Fox, having written and directed X-Men: First Class. He is also producing its follow-up, X-Men: Days of Future Past, and the sequel to Kick-Ass, though he does not yet have another directing job lined up. He knows his way around a comic book movie, too, as both First Class and Kick-Ass are among the Top 25 Based-on-Comics movies on Flickchart, and in the Top 1000 of all films in Flickchart’s database of 43,000-plus titles.
The Fantastic Four, as the reboot is currently titled, already joins a slate of planned 2015 comic book movies that includes Marvel Comics properties The Avengers 2, Ant-Man and a possible solo Hulk movie.
via The Wrap

Prominent visual effects studio Rhythm & Hues won the BAFTA Award for Best Visual Effects for its work on Ang Lee‘s Life of Pi on Sunday, and on Monday, the studio filed for Chapter 11 protection.
Just last week, Rhythm & Hues was given an infusion of $20 million by three major studios – Universal, Twentieth Century Fox and Warner Bros. – to keep it afloat through April. At that time, R&H was expected to be sold to an Indian effects company, Prime Focus, but that deal fell through, and now the studio has publicly announced it has been forced to reorganize. Buyers are still circling the troubled studio, but for now, it has become the latest victim in the increasingly tough visual effects industry.
2011 has drawn to a close, and instead of doing a typical year-end review of movies, I thought I would do one with a Flickchart twist. I will take pairs of movies that I have seen throughout the year, link them thematically together, and square them off against each other. So without any further ado, let the battles begin with a match-up between the two worst superhero movies of the year.