
Marvel’s Guardians of the Galaxy is gearing up to be a big part of their “Phase Two” plans that begin this summer with Iron Man 3. And they’ve just found their female lead in the form of a lady who already knows her way around outer space. Zoe Saldana – who will reprise her roles as Uhura in Star Trek Into Darkness and Neytiri in James Cameron‘s two sequels to Avatar - is in talks to star as Gamora, a green-skinned humanoid alien, in Guardians. The film also stars Chris Pratt as Star-Lord and Dave Bautista as Drax the Destroyer. Directed by James Gunn, Guardians of the Galaxy is currently slated for an August 1, 2014 release date. [Heat Vision]

The Hobbit: An Unexpected Journey has become the 15th film to cross $1 billion (not adjusted for inflation) in worldwide ticket sales.
The first chapter of Peter Jackson‘s new trilogy based on the works of J.R.R. Tolkien crossed this threshold thanks to a 10-day, $37.3 million opening in China. It is the second of Jackson’s films to do so, after The Lord of the Rings: The Return of the King grossed over $1 billion after its release in 2003. This makes Jackson the third director to have helmed two billion-dollar movies, after James Cameron and Christopher Nolan.
Of the 15 billion-dollar films, only three – the top two, Cameron’s Avatar and Titanic, and Tim Burton‘s Alice in Wonderland - were not part of pre-existing franchises. The Hobbit is the fourth film released in 2012 to hit the milestone, after The Avengers, The Dark Knight Rises and Skyfall.
It is interesting to note that The Hobbit‘s domestic take of $301.4 million is well below that of the three Lord of the Rings films, despite having the additional boost of IMAX and 3D ticket sales. It has done far better overseas; by contrast, Return of the King grossed only $10.4 million in China. No doubt controversy over the film’s 48 frames-per-second technology diluted ticket sales, but it has still certainly proven popular enough.
Word of The Hobbit‘s success is good news for New Line and Warner Bros. after the underwhelming and potentially disastrous $28 million opening of Jack the Giant Slayer, a film that reportedly cost north of $200 million, and might prove to be an even bigger train wreck than last year’s box office bomb, John Carter (which also opened in March).
The Hobbit: An Unexpected Journey is currently ranked #8 among 2012 films on Flickchart.
Before beginning part 3 of my year-in-review opus I’d like to acknowledge how truly great a year we’ve had this year in regards to movies. For as many films and performances that will be nominated for awards, there will be just as many that have a right to feel snubbed. There were so many quality indie, genre, and franchise films that even the stingiest of movie watchers could easily find one movie they really enjoyed. This year was so great that they didn’t even abide by the normal January-February as dumping grounds mentality, releasing movies like Haywire, The Grey, Chronicle, and Wanderlust, which are all vastly superior to the normal dreck that’s usually released at the beginning of the year. Even some of the more disappointing movies of the year were at least interesting to discuss, like Prometheus and The Dark Knight Rises.
If you missed them, here is Part 1 and Part 2. Otherwise, let’s continue to explore 2012 by doing a little time traveling.
Some Romances Are Stronger Than the Bonds of Time
Safety Not Guaranteed received quite a bit of love as the indie darling of the year. So much so that I assumed it would end up being this year’s annual indie movie that makes my top 5. Turns out, I didn’t like it nearly as much as everyone else. A lot of that had to do with my expectations being way too high, but the movie is far from flawless. As much as I like Mark Duplass his character is essentially a male version of a manic pixie dream girl and serves the purpose of being an eccentric person whose love saves the main character, Aubrey Plaza, despite being completely unrealistic to real life relationships. Jake Johnson has his own clichés to fight against as the guy who is a jerk but is funny enough where the audience doesn’t hate him. Then they find out his jerkiness is based around his unhappiness so they start to love him and he goes through a predictable character arc. Despite my complaints I still think the movie is good, just not as good as every other person seems to think.
Looper was writer/director Rian Johnston’s third feature film which starred Hollywood’s newest big man on campus Joseph Gordon-Levitt as a young Bruce Willis, or was Bruce Willis an old Joseph Gordon-Levitt? Time travel being used as a way for mobsters to have people killed with no evidence left behind? Awesomely brilliant idea, especially by having Jeff Daniels as the guy who traveled back in time to run it. Having numerous people have slight telekinetic powers? A little jarring and way more unbelievable than the idea of time travel for some reason. There was also a romantic sub-plot with Emily Blunt which felt a little forced, but since JGL and Blunt are so good, they made it work. That’s how the movie feels as a whole, though. It definitely has its problems and plot holes, but overall it’s so original and well-made/acted that it’s easy to forgive them.
And the Winner Is: Looper - but speaking of time travel let’s go back in time a few decades ourselves.

Truly one of the more unloved inclusions of Flickchart are short films. So unloved, that many people refuse to include them on their lists. It’s not too hard to see why, as they often aren’t that extraordinary and can be much harder to remember in the long-term. With significantly less content, they are often much tougher to rank against features, and many people will debate on whether they should actually be considered movies or not. Despite having my own problems with trying to rank them properly, I include them in my list, mostly for vain reasons. Read the rest of this entry »