
Prominent visual effects studio Rhythm & Hues won the BAFTA Award for Best Visual Effects for its work on Ang Lee‘s Life of Pi on Sunday, and on Monday, the studio filed for Chapter 11 protection.
Just last week, Rhythm & Hues was given an infusion of $20 million by three major studios – Universal, Twentieth Century Fox and Warner Bros. – to keep it afloat through April. At that time, R&H was expected to be sold to an Indian effects company, Prime Focus, but that deal fell through, and now the studio has publicly announced it has been forced to reorganize. Buyers are still circling the troubled studio, but for now, it has become the latest victim in the increasingly tough visual effects industry.

Over 40 million rankings have been made in 2012. You’ve added every movie you’ve seen from the year to your Flickchart, and pit them head-to-head against the best movies of all time. This breakdown of the year’s best is the result of each and every one of your rankings aggregated together to form the combined chart of the highest ranked, best movies of 2012.
Without further adieu – out of over 1000 total movies released this year – here are your current picks for the Top 20 of 2012:
Last year I decided it would be in my, and by extension your, best interest to do a year-end review in the Flickchartiest way possible. The four people who read it were very vocal about how it was an adequate way of spending their break at work therefore I decided to repeat the feat this year. Luckily for you I watched an absurd amount of movies this year – too many – and to make me feel like I didn’t waste much of my time and money I will be doing a series of battles throughout the next few weeks. To get us warmed up for the ensuing blood bath, the first movie will be about a bunch of teenagers killing each other…
Women Be Shootin’
The Hunger Games was the first big release box office wise of the year. While it seemed to satisfy most of the diehard fans of the franchise many people who hadn’t smashed through the books in 5 total days had reservations. The biggest complaint was that it took too many ideas from Battle Royale, but it also garnered a heavy amount of questions beyond potential idea borrowing. Why did the elite have such bizarre hair styles? Why did the citizens of District 12 give their children such dumb names? What the hell was going on in those shaky-cam action scenes? Am I not supposed to be disconcerted with the idea of children killing each other? Some of these complaints will be satiated by Gary Ross being replaced by a new director for the sequels. A director who hopefully doesn’t keep his camera at the end of a rope that he is swinging around in a circle above his head.
Not to be outdone in the “first” department, Brave was the first big disappointment of the year for most people. Pixar has been spoiling us for so long that when they released a movie that was simply “good” we as a society rejected it and marked it as a major let down. While it had its problems I still think it was a good movie and a nice change of pace from the normal princesses that young girls get to see in movies. It’s important that they see strong females on the screen whose sole purposes in life are not finding the perfect man.
The revered Japanese director Akira Kurosawa came into the world on this date, so here we go with: