Posts Tagged ‘Moonrise Kingdom’

A few days before the ceremony, the folks at Mondo advertised to the press that they would be placing several posters for Oscar-nominated films up for sale during the broadcast of the 85th Annual Academy Awards. They previewed the new collection – their second annual – with posters for The MasterParaNorman and Les Misérables, with the promise to unveil several more during the Oscar telecast.

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Before beginning part 3 of my year-in-review opus I’d like to acknowledge how truly great a year we’ve had this year in regards to movies. For as many films and performances that will be nominated for awards, there will be just as many that have a right to feel snubbed. There were so many quality indie, genre, and franchise films that even the stingiest of movie watchers could easily find one movie they really enjoyed. This year was so great that they didn’t even abide by the normal January-February as dumping grounds mentality, releasing movies like Haywire, The Grey, Chronicle, and Wanderlust, which are all vastly superior to the normal dreck that’s usually released at the beginning of the year. Even some of the more disappointing movies of the year were at least interesting to discuss, like Prometheus and The Dark Knight Rises.

If you missed them, here is Part 1 and Part 2. Otherwise, let’s continue to explore 2012 by doing a little time traveling.

Some Romances Are Stronger Than the Bonds of Time

Safety Not Guaranteed received quite a bit of love as the indie darling of the year. So much so that I assumed it would end up being this year’s annual indie movie that makes my top 5. Turns out, I didn’t like it nearly as much as everyone else. A lot of that had to do with my expectations being way too high, but the movie is far from flawless. As much as I like Mark Duplass his character is essentially a male version of a manic pixie dream girl and serves the purpose of being an eccentric person whose love saves the main character, Aubrey Plaza, despite being completely unrealistic to real life relationships. Jake Johnson has his own clichés to fight against as the guy who is a jerk but is funny enough where the audience doesn’t hate him. Then they find out his jerkiness is based around his unhappiness so they start to love him and he goes through a predictable character arc. Despite my complaints I still think the movie is good, just not as good as every other person seems to think.

Looper was writer/director Rian Johnston’s third feature film which starred Hollywood’s newest big man on campus Joseph Gordon-Levitt as a young Bruce Willis, or was Bruce Willis an old Joseph Gordon-Levitt? Time travel being used as a way for mobsters to have people killed with no evidence left behind? Awesomely brilliant idea, especially by having Jeff Daniels as the guy who traveled back in time to run it. Having numerous people have slight telekinetic powers? A little jarring and way more unbelievable than the idea of time travel for some reason. There was also a romantic sub-plot with Emily Blunt which felt a little forced, but since JGL and Blunt are so good, they made it work. That’s how the movie feels as a whole, though. It definitely has its problems and plot holes, but overall it’s so original and well-made/acted that it’s easy to forgive them.

And the Winner Is: Looper - but speaking of time travel let’s go back in time a few decades ourselves.

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Over 40 million rankings have been made in 2012. You’ve added every movie you’ve seen from the year to your Flickchart, and pit them head-to-head against the best movies of all time. This breakdown of the year’s best is the result of  each and every one of your rankings aggregated together to form the combined chart of the highest ranked, best movies of 2012.

Without further adieu – out of over 1000 total movies released this year – here are your current picks for the Top 20 of 2012:

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Some of the regular writers here on the Flickchart blog have decided to list a few things that are on our collective radars on a semi-regular basis for your reading pleasure. We’re here to talk about what’s cool, and what’s not – from movies to music to games to tv to anything else that’s worth mentioning. We’ll start the conversation, but we’d love to hear your current interests, dislikes, and favorite recently watched movies too in the comments!

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In many ways, Moonrise Kingdom is the epitome of a Wes Anderson film, the quintessential work by a filmmaker who has taken the popular conception of the auteur theory to an extreme, forging a very individual and recognizable style that has only gotten more precise and well-defined with every film. You’d think that by this point, having successfully integrated his style into features, shorts, commercials, and even stop-motion animation, a straight-up comedy/drama would lapse into either retread tedium or self-parody. And for some people, Anderson has probably already reached this point long ago – his particular brand of twee quirk is tailor-made to annoy a certain portion of the population. But people who find Anderson’s whimsy up their alley will be delighted with this new offering, which manages to stay fresh and delightful while maintaining and even refining his distinctive style.

A New England island, roadless and only navigable from the mainland by helicopter or boat, is home to a small police force, a pair of lawyers and their progeny, a boy scout camp, and miles of wilderness. When twelve-year-old scout Sam Sankusky goes missing, a search is mounted, but the other boys approach it like a manhunt rather than a rescue – the awkward and forthright boy is not well-liked. Except by Suzy Bishop, the oldest daughter of the lawyers, who has arranged a meeting with Sam. The children carry out their idlewild, their young love blossoming as they hike and camp…until the adults finally catch up to them.

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