Created by Jerry Siegel and Joe Shuster, Superman debuted in Action Comics #1 in the summer of 1938. An instant sensation, Superman was quickly brought to radio in 1940 and hit the screen in 1941. With Man of Steel on the horizon, every movie and geek culture website on the Internet has reflected on his past movie adventures. What separates Flickchart from all the others is that our ranked lists aren’t arbitrarily pieced together by a single writer, or even a select editorial team. Our empirical data comes from each and every Flickchart user, so we’re pretty confident that our list of the Best Superman Movies is the most accurate. Here are the top ten.
Movie fans were saddened by the passing of director Tony Scott in an apparent suicide on Sunday, August 19th. Though never achieving the acclaim of his Oscar-nominated brother Ridley – in either a critical (Gladiator, Black Hawk Down) or cultural (Alien, Blade Runner) sense – Tony Scott was nonetheless a filmmaker of genuine talent.
Scott was never as interested as his elder sibling in crafting films made to stand the test of time. Instead, he was far more concerned with living in the cinematic moment, in bringing us moments of exhilaration, escape, and just a good ol’ time at the multiplex. And along the way, he created for himself a distinct visual style that has been aped by many other action directors, yet never quite duplicated.
|Rank it amongst the best supernatural horror movies of all time.
Flickchart Ranking: #2985
|Rank it amongst the best comedy movies of all time.
Flickchart Ranking: #4125
There are some films on my Flickchart that rank higher than they might have, simply because they contain just one scene that held me captivated. Overall, I may not have cared for the movie, but one particular scene or sequence just caught my attention, and I had to admit: I wish the whole movie could have been like that.
Here are a few films that find themselves pulled from the dregs at the bottom of my Flickchart, buoyed in the middling middle on the strength of one or two effective scenes. One is the first R-rated film to win the Best Picture Oscar. One is considered a modern-day masterpiece. One is a mediocre action flick from a director best known for mediocre action flicks. They all have one thing in common: I didn’t love them…but I loved something about them. (Caution to those who might not have seen the films discussed; there may be a few minor spoilers.)