Before beginning part 3 of my year-in-review opus I’d like to acknowledge how truly great a year we’ve had this year in regards to movies. For as many films and performances that will be nominated for awards, there will be just as many that have a right to feel snubbed. There were so many quality indie, genre, and franchise films that even the stingiest of movie watchers could easily find one movie they really enjoyed. This year was so great that they didn’t even abide by the normal January-February as dumping grounds mentality, releasing movies like Haywire, The Grey, Chronicle, and Wanderlust, which are all vastly superior to the normal dreck that’s usually released at the beginning of the year. Even some of the more disappointing movies of the year were at least interesting to discuss, like Prometheus and The Dark Knight Rises.
Some Romances Are Stronger Than the Bonds of Time
Safety Not Guaranteed received quite a bit of love as the indie darling of the year. So much so that I assumed it would end up being this year’s annual indie movie that makes my top 5. Turns out, I didn’t like it nearly as much as everyone else. A lot of that had to do with my expectations being way too high, but the movie is far from flawless. As much as I like Mark Duplass his character is essentially a male version of a manic pixie dream girl and serves the purpose of being an eccentric person whose love saves the main character, Aubrey Plaza, despite being completely unrealistic to real life relationships. Jake Johnson has his own clichés to fight against as the guy who is a jerk but is funny enough where the audience doesn’t hate him. Then they find out his jerkiness is based around his unhappiness so they start to love him and he goes through a predictable character arc. Despite my complaints I still think the movie is good, just not as good as every other person seems to think.
Looper was writer/director Rian Johnston’s third feature film which starred Hollywood’s newest big man on campus Joseph Gordon-Levitt as a young Bruce Willis, or was Bruce Willis an old Joseph Gordon-Levitt? Time travel being used as a way for mobsters to have people killed with no evidence left behind? Awesomely brilliant idea, especially by having Jeff Daniels as the guy who traveled back in time to run it. Having numerous people have slight telekinetic powers? A little jarring and way more unbelievable than the idea of time travel for some reason. There was also a romantic sub-plot with Emily Blunt which felt a little forced, but since JGL and Blunt are so good, they made it work. That’s how the movie feels as a whole, though. It definitely has its problems and plot holes, but overall it’s so original and well-made/acted that it’s easy to forgive them.
And the Winner Is: Looper - but speaking of time travel let’s go back in time a few decades ourselves.
In lieu of just one of us writing a review, here’s a cross-section of several Flickchart bloggers’ thoughts on the latest and final chapter of Nolan’s Batman saga. Read the rest of this entry »
In 1997, space was a quirky place. Paul Verhoeven went bug-squishing in Starship Troopers. A pre-Resident Evil Paul W.S. Anderson and a pre-Hellboy Guillermo Del Toro gave us very different sci-fi/horror flicks in Event Horizon and Mimic. And Alien Resurrection made the venerable franchise a little weirder under the pen of Joss Whedon and the direction of French indie favorite Jean-Pierre Jeunet.
Arguably, the two most successful offerings, however, gave us very unique takes on science fiction (at least from a visual standpoint). One was the surreal and visually unique pet project of a French writer/director who nowadays is better known for writing and producing more generic action fare such as Taken and the Transporter franchise. The other was based on a comic book (back when such things were a little less common), was a bona fide box office smash (coming only behind the then-highest-grossing-movie-of-all-time in the year’s earnings) and cemented Will Smith‘s reputation as a box-office king (fresh as he was off the previous year’s Independence Day). Both films packed plenty of chuckles–intentional and, perhaps, otherwise.
To twist a tagline from that Alien franchise: In space, no one can hear you laugh. But back in ’97, the laughter was heard in multiplexes everywhere. Come enter the Reel Rumbles ring as we take a stroll thirteen years down memory lane and bust heads with some freaky aliens in The Fifth Element vs. Men in Black.