
I have to admit that I’m fairly unversed in the films of Faye Dunaway. There’s not really any agenda to speak of; I just haven’t gotten around to seeing much of her filmography. At this year’s TCM Classic Film FEST 2012 I was able to rectify that, seeing both The Thomas Crown Affair and Chinatown. The films aren’t exactly related – one being a caper and the other a post-noir – but the actress turns in some very interesting performances in each. I figured it would make for an interesting post to try to take a look at her performances in each of these films and suss out which one was the better. Should be easy, right?
It’s tough deciding what to write about first for a film festival. For my AFI FEST 2011 series I tried to go in linear order as best I could, but that went out the window as later showings all vied for my attention. In the end I only reviewed a handful of films when I could have reviewed pretty much everything. This year I aim to fix that and put more of a Flickchart spin on my festival coverage, starting with the TCM Classic Film Fest 2012. There will be a couple of single reviews, of course, but I’ll also be ranking and comparing some of the films I’ve seen based on a theme or particular element that ties the films together.
I’d like to start this post series with a look at TCM’s selection of Noir films. Considering the theme of the festival was “style in the movies,” it’s only natural that they would have films from that genre handy. Unfortunately I wasn’t able to work all the Noir films into my schedule, but the ones that I did see were an absolute treat.
But which one was best? Which one had the edge over the others? In true noir fashion, let’s set all the cards on the table and see how it all shakes out!