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New Movies in Theaters: January 21, 2011
21, Jan 2011
by Dan
No Strings Attached – R – watch the trailer ►
(Oh Nurse Portman, where were you when I had cancer?)
OK, so this romantic comedy looks pretty awful, but if Natalie Portman is in it, there has to be more to it than there appears, right?
The Way Back – PG-13 – watch the trailer ►
A war-prison escape movie with a really solid cast: Jim Sturgess, Ed Harris, Colin Farrell and Saoirse Ronan. With a RottenTomatoes score of around 80%, reviews have been extremely complimentary.
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by Nigel Druitt
In This Corner…
In 1997, space was a quirky place. Paul Verhoeven went bug-squishing in Starship Troopers. A pre-Resident Evil Paul W.S. Anderson and a pre-Hellboy Guillermo Del Toro gave us very different sci-fi/horror flicks in Event Horizon and Mimic. And Alien Resurrection made the venerable franchise a little weirder under the pen of Joss Whedon and the direction of French indie favorite Jean-Pierre Jeunet.
Arguably, the two most successful offerings, however, gave us very unique takes on science fiction (at least from a visual standpoint). One was the surreal and visually unique pet project of a French writer/director who nowadays is better known for writing and producing more generic action fare such as Taken and the Transporter franchise. The other was based on a comic book (back when such things were a little less common), was a bona fide box office smash (coming only behind the then-highest-grossing-movie-of-all-time in the year’s earnings) and cemented Will Smith‘s reputation as a box-office king (fresh as he was off the previous year’s Independence Day). Both films packed plenty of chuckles–intentional and, perhaps, otherwise.
To twist a tagline from that Alien franchise: In space, no one can hear you laugh. But back in ’97, the laughter was heard in multiplexes everywhere. Come enter the Reel Rumbles ring as we take a stroll thirteen years down memory lane and bust heads with some freaky aliens in The Fifth Element vs. Men in Black.
- In: Reel Rumbles|User Showcase
- Tags: 1997, Alien, Alien Resurrection, Barry Sonnenfeld, Bruce Willis, Chris O'Donnell, chris tucker, Close Encounters of the Third Kind, David Mamet, David Schwimmer, Dennis Rodman, E.T., Event Horizon, film, films, Flickchart, From Paris with Love, Gary Oldman, Get Shorty, Guillermo Del Toro, Hellboy, Ian Holm, Independence Day, Jean-Pierre Jeunet, Joss Whedon, Luc Besson, matchup, Men in Black, Milla Jovovich, Mimic, movie battles, movies, Paul Verhoeven, Paul W.S. Anderson, Reel Rumbles, Resident Evil, Rick Baker, Star Wars, Starship Troopers, Steven Spielberg, Sylvester Stallone, Taken, Taxi, The Addams Family, The Fifth Element, The Professional, The Transporter, Tommy Lee Jones, Vincent D'Onofrio, Will Smith, William Shakespeare
by Nigel Druitt
In This Corner…
Sooner or later, everybody runs. Even if they’re one of the biggest movie stars on the face of the planet. For this edition of Reel Rumbles, grab your popcorn and prepare for the run of your life as we go on the lam with Harrison Ford and Tom Cruise in an attempt to prove their innocence (and cinematic superiority) with The Fugitive vs. Minority Report.
These two thrillers both feature a cinema superstar accused of murder and on the run from the law. One is a tense cat-and-mouse game between a surgeon out to find his wife’s real killer and the dogged U.S. Marshal on his tail; the other is set in the not-so-distant future, and features a law enforcement officer trying to clear himself of a murder that hasn’t even been committed yet. One is an almost unexpected masterwork from a director whose other best-known credits are the Steven Seagal vehicle Under Siege and a Coast Guard movie starring Ashton Kutcher. The other is a superb thriller-with-a-sci-fi-twist from one of cinema’s greatest living legends that, despite how great it is, somehow still doesn’t seem to quite match some of the director’s previous cinematic efforts.
So which is better? Run–don’t walk–into the Reel Rumbles ring and find out…
- In: Reel Rumbles
- Tags: 1993, 2002, 2008, Arnold Schwarzenegger, Ashton Kutcher, Blade Runner, Born on the Fourth of July, Chuck Norris, Code of Silence, Colin Farrell, Collateral Damage, Fargo, film, films, Flickchart, Han Solo, Harrison Ford, Indiana Jones, Jaws, Jerry Maguire, Joe Pantoliano, jurassic park, Kathryn Morris, Magnolia, Max Von Sydow, movies, Munich, Peter Stormare, Philip K. Dick, Reel Rumbles, Samantha Morton, Saving Private Ryan, Schindler's List, Sela Ward, Steven Seagal, Steven Spielberg, the fugitive, The Mosquito Coast, Tim Blake Nelson, Tom Cruise, Tommy Lee Jones, Total Recall, Tropic Thunder, Under Siege, Witness
by Nathan Chase
Since our public launch in September, we’ve grown to well over 40,000 users, and garnered a total of more than 60 million rankings. As we approach the close of the year, and the start of a new decade, we thought we might take a moment to showcase the Top 20 films that our users have deemed to be considered the best-of-the-best from 2000-2009. So without further adieu, here are the best ranked films on Flickchart of the decade:
Read the rest of this entry »
- In: Flickchart News|Nathan's Posts
- Tags: Alfonso Cuarón, all-time charts, amnesia, Andy Serkis, awards, Batman, Batman Begins, best films, best movies, best of, best of the decade, Best Picture, blockbuster, Boston, Brad Bird, British, Cannes Film Festival, Casino Royale, Charlie Kaufman, chart, Children of Men, Christian Bale, Christopher Nolan, Clive Owen, Coen Brothers, Cormac McCarthy, cult classic, Daniel Craig, Doug Liman, Edgar Wright, Eternal Sunshine of the Spotless Mind, fantasy film, Finding Nemo, Frank Miller, gladiator, Gotham City, Guy Pearce, heath ledger, Iron Man, Jack Nicholson, James Bond, Javier Bardem, Jim Carrey, Jon Favreau, Josh Brolin, Jr., Julianne Moore, Kate Winslet, Kill Bill, Leonardo DiCaprio, list, Lord of the Rings, Martin Scorsese, Matt Damon, Memento, Michael Caine, Michel Gondry, Middle-Earth, music video, New Zealand, No Country For Old Men, Pixar, Quantum of Solace, Quentin Tarantino, Return of the King, Ridley Scott, Robert Downey, Robert Rodriguez, Russell Crowe, Shaun of the Dead, Simon Pegg, Sin City, The Bourne Identity, The Departed, The Incredibles, The Iron Giant, The Two Towers, Tommy Lee Jones, WALL-E, Weta Workshop, zombie
In This Corner…
Since the early twentieth century, greed has been a subject to fascinate filmmakers and movie audiences alike. It is a vice that can turn normal men into monsters. Like a plague, it spreads ever so easily to destroy the Host and the Innocent. The most notable starting point of greed on film is in Erich von Stroheim’s silent work Greed (1924). Famous for its original ten-hour length, which was obliterated much to the director’s chagrin by over seven hours worth of cuts, Greed explored in much detail how destructive the abstract can be. In this week’s Reel Rumbles, the wages of greed are examined further by two modern classics, adaptations of the literary works of Upton Sinclair (Oil!) and Cormac McCarthy. Lie to friends, horde your wealth, and steal from family members – it’s time for No Country for Old Men vs. There Will Be Blood.
- In: Reel Rumbles
- Tags: 2008, adaptation, Barry Corbin, Best Adapted Screenplay, Best Director, Best Picture, Best Supporting Actor, Beth Grant, Blood Simple, Coen Brothers, Cormac McCarthy, Daniel Day-Lewis, ending, Erich von Stroheim, Fargo, Faustian, Greed, Javier Bardem, Josh Brolin, Kelly Macdonald, Margaret Bowman, Miller's Crossing, No Country For Old Men, novel, Oil!, Once Upon a Time in the West, originality, Oscar winner, Paul Dano, Paul Thomas Anderson, Reel Rumbles, Sergio Leone, Tess Harper, There Will Be Blood, thriller, Tommy Lee Jones, Upton Sinclair, violence, Woody Harrelson