Anne Hathaway is getting set to star alongside Matthew McConaughey in Christopher Nolan‘s upcoming super-secret sci-fi epic, Interstellar. Nolan is known for working with the same actors – though his desire to have McConaughey in the lead came as a surprise – and, of course, Hathaway, now an Oscar winner for Les Misérables, portrayed Catwoman in Nolan’s The Dark Knight Rises. Who knows which other Nolan regulars may crop up in this one? [Deadline]
This is a bit of a companion piece to another article I wrote about movies I don’t love, despite containing some great scenes. In this case, I have movies that I do love, despite the fact that I can acknowledge them to have flaws. These are not necessarily the “Guilty Pleasures” – movies that you know are bad, but love anyway. These are films that are generally considered to be at least pretty good; they all rank in the global Top 2000 on Flickchart, and three rank in the global Top 200. They all rank in my personal Top 200, and two of them are in my Top 20. One is a Best Picture Oscar winner. Three of the other four were nominated for at least one Oscar, and the fifth made many critics’ Top 10 lists the year it came out. I love them all, but I can admit each of them has certain “issues”. Here they are, in ascending order on my Flickchart:
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Your mind is the scene of the crime.
So reads the tagline for Inception, the new film from writer/director Christopher Nolan that just dares you to try and summarize it in a few sentences. I’m not sure it’s possible. Here’s a shot at something that barely scratches the surface: Star Leonardo DiCaprio plays Cobb, a man who specializes in entering people’s dreams and stealing their ideas. When he is hired to do the opposite–place a new idea in a man’s mind–he and his team get far more than they bargained for.
Such a simplistic description of such a complex movie. I am in awe of Nolan’s film, and it’s going to rank extremely high on my Flickchart; so high, that I’m almost shocked.
His career as a director spanned seven decades, starting in the Forties with a small job on an early religious program and ending in 2000 with the action-mystery Reindeer Games. With such meager and lifeless bookends, one might question the abilities of director John Frankenheimer, who passed away shortly after his final film at the age of 93. But as poet laureate for Generation Z Miley Cyrus so eloquently sings, “It’s the climb,” and Frankenheimer’s climb was one populated with a tense body of expertly crafted films that brought action and suspense to breathless new heights. His last great work paired him with a tight script and three brilliant actors for some of the most dizzying and fun car chases this side of The French Connection. But in this week’s Reel Rumbles, Ronin has some fierce competition out of Michael Mann, another talented director, with a film that many consider to be his finest hour. A loose remake of his previous made-for-TV effort L.A. Takedown (1989), Heat won the praise of critics and audiences alike, and built a bridge between an overlooked cadre of masterpieces and a prominent career for the director that continues today. Study the blueprints, sync your watches, and get ready for the big score. It’s time for Heat vs. Ronin.