Flickchart Ranking: #472
Directed By: Will Gluck
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This is a bit of a companion piece to another article I wrote about movies I don’t love, despite containing some great scenes. In this case, I have movies that I do love, despite the fact that I can acknowledge them to have flaws. These are not necessarily the “Guilty Pleasures” – movies that you know are bad, but love anyway. These are films that are generally considered to be at least pretty good; they all rank in the global Top 2000 on Flickchart, and three rank in the global Top 200. They all rank in my personal Top 200, and two of them are in my Top 20. One is a Best Picture Oscar winner. Three of the other four were nominated for at least one Oscar, and the fifth made many critics’ Top 10 lists the year it came out. I love them all, but I can admit each of them has certain “issues”. Here they are, in ascending order on my Flickchart:
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Your mind is the scene of the crime.
So reads the tagline for Inception, the new film from writer/director Christopher Nolan that just dares you to try and summarize it in a few sentences. I’m not sure it’s possible. Here’s a shot at something that barely scratches the surface: Star Leonardo DiCaprio plays Cobb, a man who specializes in entering people’s dreams and stealing their ideas. When he is hired to do the opposite–place a new idea in a man’s mind–he and his team get far more than they bargained for.
Such a simplistic description of such a complex movie. I am in awe of Nolan’s film, and it’s going to rank extremely high on my Flickchart; so high, that I’m almost shocked.
If you’re an avid Flickcharter, you’ve no doubt got a list of hundreds — if not thousands — of films ranked. From your all-time favorites to the dregs of cinema that you only wish you could un-see, to those middle-of-the-chart, ho-hum, so-so films whose ranks, while fun to try and get into their proper order, become somewhat interchangeable as they all share a common air of mediocrity.
Indeed, when it comes to your Flickchart, do you truly care whether Movie #667 is better than Movie #668? Does it even matter if Movie #236 is better than Movie #247?
What about global rankings? Does it matter to you if Flickchart’s users have V for Vendetta ranked higher than There Will Be Blood? Or that District 9 ranks higher than Best Picture Oscar-winner The Hurt Locker? Be honest: Does it really, really concern you that The Dark Knight outranks Star Wars as the #1 movie of all-time? As a movie fan, you know this fact to be either true or false; global rankings can be very useful in helping you find good movies that you haven’t seen yet, but when it comes to the films you do and don’t like, they aren’t necessarily going to sway your opinion.
In fact, I’d be willing to bet that, for most Flickcharters, the only list that really matters is that one that stares you in the face every time you come to the site: your personal Top 20. It’s the list that’s on-screen every time you rank; either causing you to constantly question it, or reaffirm that yes, yes these are, in fact, my favorite movies of all-time. The cream of the crop. The films that will smack down any others they come against in your Flickchart rankings.
His career as a director spanned seven decades, starting in the Forties with a small job on an early religious program and ending in 2000 with the action-mystery Reindeer Games. With such meager and lifeless bookends, one might question the abilities of director John Frankenheimer, who passed away shortly after his final film at the age of 93. But as poet laureate for Generation Z Miley Cyrus so eloquently sings, “It’s the climb,” and Frankenheimer’s climb was one populated with a tense body of expertly crafted films that brought action and suspense to breathless new heights. His last great work paired him with a tight script and three brilliant actors for some of the most dizzying and fun car chases this side of The French Connection. But in this week’s Reel Rumbles, Ronin has some fierce competition out of Michael Mann, another talented director, with a film that many consider to be his finest hour. A loose remake of his previous made-for-TV effort L.A. Takedown (1989), Heat won the praise of critics and audiences alike, and built a bridge between an overlooked cadre of masterpieces and a prominent career for the director that continues today. Study the blueprints, sync your watches, and get ready for the big score. It’s time for Heat vs. Ronin.