
There hasn’t been a movie that has been built up the same way The Avengers has. It all started in 2008, when Samuel L. Jackson – as Nick Fury – showed up in Iron Man after the credits had rolled to tell Robert Downey Jr. that he was not the only superhero in the world and S.H.I.E.L.D. had a little something called “The Avengers Initiative” in the works. Speculation ran wild on the internet with people wondering which members of the team would be involved and who the villain might be. As the years went on the details started to mete themselves out. Films like The Incredible Hulk, Captain America: The First Avenger, Thor, and Iron Man 2 gave us our heroes, villain, and a lead in to what the plot was going to be based around. Finally on May 4, 2012, four years and two days after Iron Man opened in theaters, The Avengers was released to an audience that had been dying to see it.
This is important to mention because it was almost impossible for a fan of superhero movies to not get excited and to not have high expectations. Interestingly, this makes the movie liable to be judged in an extreme way. If the movie was very good, people’s excitement would propel it to be viewed as great. If the movie was a disappointment, people would rightfully be angry about it after placing more money and hours into it than most other franchises. As it happens, Marvel succeeded and The Avengers does in fact tiptoe the line between very good and great. Currently it appears most people think it’s great (already sitting in the global Top 20), but I found it to be closer to the latter. A solid action blockbuster that exceeded the majority of the movies that came before it in the series. As more time goes by and the honeymoon period starts to fade, I think more people will tend to agree with me. Read the rest of this entry »

I have to admit that I’m fairly unversed in the films of Faye Dunaway. There’s not really any agenda to speak of; I just haven’t gotten around to seeing much of her filmography. At this year’s TCM Classic Film FEST 2012 I was able to rectify that, seeing both The Thomas Crown Affair and Chinatown. The films aren’t exactly related – one being a caper and the other a post-noir – but the actress turns in some very interesting performances in each. I figured it would make for an interesting post to try to take a look at her performances in each of these films and suss out which one was the better. Should be easy, right?
It’s tough deciding what to write about first for a film festival. For my AFI FEST 2011 series I tried to go in linear order as best I could, but that went out the window as later showings all vied for my attention. In the end I only reviewed a handful of films when I could have reviewed pretty much everything. This year I aim to fix that and put more of a Flickchart spin on my festival coverage, starting with the TCM Classic Film Fest 2012. There will be a couple of single reviews, of course, but I’ll also be ranking and comparing some of the films I’ve seen based on a theme or particular element that ties the films together.
I’d like to start this post series with a look at TCM’s selection of Noir films. Considering the theme of the festival was “style in the movies,” it’s only natural that they would have films from that genre handy. Unfortunately I wasn’t able to work all the Noir films into my schedule, but the ones that I did see were an absolute treat.
But which one was best? Which one had the edge over the others? In true noir fashion, let’s set all the cards on the table and see how it all shakes out!
The TCM Classic Film Festival is how I got to see Spartacus on the big screen last year in glorious digital projection at the Grauman’s Chinese Theater. A three-day festival from April 12th-15th, TCM Fest showcases classical film from a variety of eras and often aligns them to a specific theme. This year the theme is “Style in the Movies,” which means that this writer will be taking a trip down noir-lane with the likes of Chinatown and Fall Guy. There’s also a western in there along with some Hitchcock, Douglas Fairbanks and James Bond.
Since I’ve got press accreditation representing Flickchart this year, I’ve decided to try and review as many of these films as I can for the blog. With the exception of 20,000 Leagues under the Sea and Duck Soup, everything on my itinerary will be a first-time watch. Here’s the itinerary for you to peruse. If you want to see the full list of films, check them out over at the TCM FEST site. Read the rest of this entry »